Travel/Accommodation/Registration

"MUSIC, MEMORY AND MIGRANCY"

APRIL 28-30
Ohio State University, Columbus, OH

Conference Schedule

1. 7:00 ­ 7:45 Rohini Dandavate: Odissi (dance, India)
2. 8:00 - 8:45 Lennard Moses, et al. : Steel Pan
3. 9:00 ­ 9:45 Hans Utter, et al.: Hindustani (sitar, tabla)

SATURDAY, APRIL 29
8:30-10:30 a.m.
Hughes Hall Rm 109
Music and Religion
Chair: Mark Bender (Associate Professor, East Asian Languages and Literatures, Ohio State University)

“Give Me Your Hand: Church Music as a Means of Identity Restoration among Undocumented Mexican Immigrants”
Abel Stewart  (Ohio State University)
 
“The Sung Journey: Music on the Path to God”
Jaime Jones  (University of Chicago)

“‘Been Baptized in Muddy Waters’: Taking a Chance on Religion, Sin, and Southern Hip-Hop”
David B. Pruett  (Middle Tennessee State University)

“‘Truly we have a great heritage’: Musical Circulations of Value in Yoruba Christian Communities”
Vicki L. Brennan  (University of Chicago)

10:30 a.m.-noon
Hughes Hall Rm 109
Popular Music I: Boundary Crossings
Chair: David Harnish (Associate Professor, Ethnomusicology, College of Musical Arts, Bowling Green State University)

“Influence of Indian Classical Music on British and American Rock and Culture in the 1960s, 70s, and Beyond”
Kathryn Slusher (Wells College)

“Eminem’s Encore and Elements of Sub-Saharan African Performance Practice”
Molly Reinhoudt (The Ohio State University)

“Of Griots, Gurus, and Guitars: Memory and Tribute in Brazilian Rock”
Jesse Samba Wheeler
(University of California Los Angeles)

10:30 a.m.-noon
Hughes Hall Rm 318
Preservation and Innovation
Chair: Margarita Mazo  (Professor, Musicology/Ethnomusicology, Ohio State University)

“Remembering Who We Are: Strategies of Memory in the Presentations of the Hungarian State Folk Ensemble”
Lisa Overholser  (Indiana University)

“The Past to the Present through Keys of Performance: The Case of the Chilean Tonada”
Juan Eduardo Wolf (Indiana University)

“Jaliciense, Abajeño, Michoacano, Huasteco, and Jarocho: Variations and Transformations of the Mexican Son in the Mariachi Ensemble”
Marcela Garcia (University of Texas Pan American)

1-3 p.m.
Digital Union, Science & Eng. Lib, 3rd flr. Rm 370, 175 W. 18th Ave.
EVIADA (Ethnomusicological Video for Instruction and Analysis Digital Archive): Demonstration by  project management from Indiana Univ (http://www.iub.edu/~eviada)

3-4:30 p.m.
Hughes Hall Rm 109
Paper and Film Presentation
Chair: Steven Cornelius (Associate Professor, Ethnomusicology, College of Musical Arts, Bowling Green State University)

“The Human Side of Cultural Brokerage and Intellectual Property
Rights: A Latino music documentation project” Video presentation:
Playing from the Heart, Latino Musician Jesse Ponce
Lucy Long and David Harnish  (Bowling Green State University)

3-4:30 p.m.
Hughes Hall Rm 318
Workshop
Chair: Charles Atkinson (Professor, Musicology, Ohio State University; President, American Musicological Society))

“Introduction to Empirical Methods in Field Research”
David Huron (The Ohio State University)

5 p.m. Ruth Stone, Kenote Speech
Weigel Hall Auditorium
“Pianos and Plowshares: Musical Processes and Aesthetic Responses in the Middle East”

7:45 p.m. – 9:45 p.m.
Mershon Auditorium, 5th flr., 1871 N. High St.
 OSU Ethnomusicology and Music Cognition Labs: Works-in-Progress; RECEPTION to follow (led by Margarita Mazo, Udo Will, and David Huron)
 
SUNDAY, APRIL 30
9-10:30 a.m.
Music and Identity I   Hughes Hall Rm 318
Chair: Nina Berman (Associate Professor, Germanic Languages and Literatures, Ohio State University)

 “The Creation of Classical: Nationalism, Regionalism and Dance in Andhra Pradesh, India”
Rumya S. Putcha (University of Chicago)

“The Pan-African Orchestra: Im/Expressions in Sounds, Part 2”
Daniel Avorgbedor (The Ohio State University)

“Viva Portugal, Viva Rhode Island: Portugal's Diaspora Comes Home to Play”
Kate Brucher (Bowling Green State University)

9-10:30 a.m.
Hughes Hall rm 109
Popular Music II: Music and the Market
Chair: Arved Ashby (Associate Professor, Musicology, Ohio State University)

“‘Tell Everyone We’re Dead’: Underground Rock and its Canon”
Andrew Mall (University of Chicago)

“Quotation, Dehumanization, and Preservation: The Case of Moby and Alan Lomax”
Amanda J. Sewell (Bowling Green State University)

CANCELLED “The Velvet Underground: Identity and Representation of Art, Music and Culture”  Christopher Witulski (University of Florida)

10:30-noon
Hughes Hall 109
Methodologies of Learning
Chair: Ted McDaniel (Professor and Director, Jazz Studies; also Dept of African American and African Studies, Ohio State University)

“Oral Transmission and Heritage: Receiving Talim in North India”
Hans Utter (The Ohio State University)

“Jazz, Technology, and the Redefinition of the Jazz Community”
Ken Prouty (Indiana State University)

“Crossroads of Ambition: Music Notation and Status in the Swedish Folk Tradition”
Benjamin Teitelbaum (Bethany College)

10:30-noon
Hughes Hall 318
Music and Identity II
Chair: Randall Baier (Western Michigan University, Kalamazoo)

“White Music, White Workers: Accounting for the IWW's Lack of Racial Diversity Before the First World War” Mike Figueroa (Northwestern University)

“Evil Kwv Txhiaj: Intersecting Oral Traditions in Hmong Rap”
Nick Poss (The Ohio State University)

“Gender Studies Regarding Thai Classical Music”
Priwan Nanongkham (Kent State University)

SPECIAL EVENT:
MONDAY, MAY 1  NOON – 1:30 P.M. , Mershon Center, 1501 Neil Ave
Special Forum—disciplinary issues in Folklore and Ethnomusicology
 Led by Ruth Stone and Bill Ivey. Light lunch will be served.

RSVP APRIL 22 avorgbedor.1@osu.edu 614-292-9441